Lambert Daily is your number one source for everything Adam Lambert. Adam was runner up in season 8's American Idol. Adam blew away the audience with his amazing voice range and talent. Even though he did not win, Adam did get a record deal and is currently working on his debut album called, "For Your Entertainment". Stay tune as we follow Adam's sucess here at Lambert Daily!
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Wednesday, December 16 is the season finale of the reality show, So You Think You Can Dance. The season 6 winner will be announced on the two hour show that begins at 8pm on FOX. Aside from the question of "Who will win?" the finale there is an even bigger question: "How will Adam Lambert behave when he performs?" That's right, Lambert is taking to the stage on the finale of So You Think You Can Dance and the audience is either going to be thrilled or mortified.
Adam Lambert's much talked about performance in November on the American Music Awards show resulted in ABC removing him from appearances on Good Morning America, Jimmy Kimmel Live and Dick Clark’s New Year’s Rockin’ Eve 2009. He recently appeared on the Barbara Walter's special, Ten Most Fascinating People of 2009.
It should be interesting to see if Adam Lambert revives his controversial "For Your Entertainment" performance on the finale of So You Think You Can Dance or whether he's been told to keep it low key.
The dancers who remain for the So You Think You Can Dance Season 6 Finale are:
Ashleigh Di Lello, 26: A ballroom dancer from Utah.
Ellenore Scott, 19: A contemporary dancer known from New York.
Jakob Karr, 19: A contemporary dancer from Florida.
Russell Ferguson, 20: A dancer from Boston, MA --the judges really liked his style last week.
Ryan Di Lello, 28: A ballroom dancer from Utah -- also husband to another finalist, Ashleigh Di Lello.
Kathryn McCormick, 19: a lyrical/contemporary dancer from California.

Adam Lambert's performance at the American Music Awards during which he locked lips with a male and simulated oral sex was deemed too sexual for some. And just weeks before that, the American Idol finalist was featured in PEOPLE's Sexiest Men Alive issue. Coincidence? Maybe not: Lambert jokes that inclusion on the Sexy Man list may have inspired him.
"I don't know, maybe it went to my head and that's why I did the performance the way I did," the singer, 27, quipped to eTalk, a Canadian entertainment program.
Still, he said of the title, "It's very flattering. I don't think of myself like that, so that's crazy."
But does Lambert, who split from his longtime boyfriend, Drake LaBry, in October, think that being a Sexy Man will help him get more dates?
"No," he told eTalk, laughing. "I don't really have much of a social life right now."

Adam Lambert raised a lot of eyebrows Sunday with his performance on ABC's American Music Awards, enough that the network got about 1,500 calls of complaint, largely related to him grinding against the face of a backup dancer.
Good Morning America decided to can his appearance this week, and CBS' The Early Show was eager to snag him for a conversation and a performance.
He'll be on live tomorrow morning.
Adam Lambert exploded onto the music scene at last night's American Music Awards with a rough-and-tumble performance of "For Your Entertainment." Unfortunately and it pains me to say this the results were mixed at best.
If Adam Lambert's goal was to simply rile America, then he succeeded. The in-your-face sexuality was bold, brave and totally groundbreaking. (Whether it was "appropriate" for a major network awards show is another discussion entirely.) I applaud Adam and his team for not pulling any punches or watering down his or his single's rawness.
The problem I had with the performance is that Adam Lambert is better than just being a lightning rod for controversy. With his Mariah-esque range, his effortless-yet-controlled wail and emotional delivery, Lambert has the potential to go down in history as one of the most technically-gifted rock vocalists of all time. Adam had a gigantic platform to show the non-"American Idol" viewing public what us Idol Freaks have known since February: He can sing his face off!
But that talent was barely on display last night. Lambert hit more bad notes than spot-on ones. His rock yelps, used so precisely and carefully on the "Idol" stage, seemed like manic grandstanding. His phrasing, so masterful in front of Simon, Paula and Randy, felt uneven especially after Kelly, Carrie and Daughtry's solid offerings.
So what happened? "Idol" blogger extraordinaire MJ Santilli thinks he was given too much to do too soon. Last night she wrote on her blog, "There was too much hype and too much expectation around this performance a lot of pressure to place on the shoulders of a young, new artist, I think." Echoed Entertainment Weekly's "Idol" Obi-Wan, Michael Slezak, "Lest we forget (and it certainly is easy to do so), he is not a seasoned headliner, so nerves certainly could've played a factor, too."
It's a shame that the success of this risquι performance hinged entirely on this strength of his voice. If Lambert had delivered the knock-out vocals we know he's capable of, all the crotch-grabbing, sex-act-simulating and sloppy kissing could have been argued as being part of a bigger artistic statement. But because Lambert had an off night, only shocking antics are grabbing headlines.
Do I think his career is over, as some "Idol" conspiracy theorists are implying? (Hi Rickey!) Hell to the no! Do I think it's going to hurt his album sales? Not particularly, although the wider, non-"Idol" viewing public might have been more inspired to snag a copy had he hit a few more notes. Will it keep Adam Lambert in the headlines for the next week? Sure, but in a negative light. And given Lambert's post-show "It was supposed to be ridiculous!" rhetoric, it seems that buzz good or bad is all he was after anyway.
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